Miles Ryan's life seemed to end the day his wife was killed in a hit-and-run accident two years ago. Missy had been his first love, and Miles fervently believes she will be his last. As a deputy sheriff in the North Carolina town of New Bern, he not only grieves for Missy, but longs to bring the unknown driver to justice.

Then Miles meets Sarah Andrew. The second-grade teacher of his son, Jonah, Sarah had left Baltimore after a difficult divorce to start over in the gentler surroundings of New Bern. Perhaps it is her own emotional wounds that make her sensitive to the hurt she sees first in Jonah's eyes, and then in his father's. Tentatively, Sarah and Miles reach out to each other. Soon they are both laughing for the first time in years.and falling in love.

Neither will be able to guess how closely linked they are to a shocking secret – one that will force them to question everything they ever believed in. and make a heartbreaking choice that will change their lives for ever.

In A Bend In The Road, Nicholas Sparks writes with a luminous intensity about life's bitter turns and incomparable sweetness. His affirming message carries a powerful lesson about the imperfections of being human, the mistakes we all make, and the joy that comes when we give ourselves to love.

This shattering memoir by a journalist about his father’s attempt to survive the aftermath of Auschwitz in a small industrial town in Sweden won the prestigious August Prize.

On August 2, 1947 a young man gets off a train in a small Swedish town to begin his life anew. Having endured the ghetto of Lodz, the death camp at Auschwitz-Birkenau, the slave camps and transports during the final months of Nazi Germany, his final challenge is to survive the survival.

In this intelligent and deeply moving book, Göran Rosenberg returns to his own childhood to tell the story of his father: walking at his side, holding his hand, trying to get close to him. It is also the story of the chasm between the world of the child, permeated by the optimism, progress, and collective oblivion of postwar Sweden, and the world of the father, darkened by the long shadows of the past.

From the best-selling author of Longbourn, a stunning new novel that follows an unnamed writer-Samuel Beckett-whose life and extraordinary literary gift are permanently shaped in the forge of war.

When war breaks out in Europe in 1939, a young, unknown writer journeys from his home in neutral Ireland to conflict-ridden Paris and is drawn into the maelstrom. With him we experience the hardships yet stubborn vibrancy at the heart of Europe during the Nazis' rise to power; his friendships with James Joyce and other luminaries; his quietly passionate devotion to the Frenchwoman who will become his lifelong companion; his secret work for the French Resistance and narrow escapes from the Gestapo; his flight from occupied Paris to the countryside; and the rubble of his life after liberation. And through it all we are witness to workings of a uniquely brilliant mind struggling to create a language that will express his experience of this shattered world. Here is a remarkable story of survival and determination, and a portrait of the extremes of human experience alchemized into timeless art.

The New York Times called him relentlessly honest and then used him as the subject of its famous Sunday Acrostic. People Magizine said there was no one like him, then cursed him for preventing easy sleep. But in these stories Harlan Ellison outdoes himself, rampaging like a mad thing through love (Cold Friend, Kiss of Fire, Paulie Charmed the Sleeping Woman), hate (Knox, Silent in Gehenna), sex (Catman, Erotophobia), lost childhood (One Life, Furnished in Early Poverty) and into such bizarre subjects as the problems of blue-skinned, eleven-armed Yiddish aliens, what it's like to witness the end of the world and what happens on the day the planet Earth swallows Barbra Streisand. Oh yeah, this one's a doozy!

A glossary of Yiddish words and their meanings follows on pp. 92-96. Please refer to same if you are farblondjet.[1]

Montauk lawyer Tom Dunleavy's client list is woefully small-occasional real estate closings barely keeps him in paper clips. When he is hired to defend a local man accused in a triple murder that has the East Hampton world in an uproar, he knows that he has found the case of his lifetime.

The crime turns the glittering playground for the super-rich into a blazing inferno. Dunleavy's client is a local hero, but Dunleavy knows the case rests atop a volcano of money, deception, and forbidden desires. His client is the perfect fall guy-unless he can find the key that unlocks the secret rooms of the gilt-shrouded set.

When Dunleavy is joined by his former flame, the savvy and well-connected attorney, Kate Costello, he believes he has a chance. But payback is a bitch-especially from the rich. The violent retaliations of billionaires threatened by his investigation exceed anything Dunleavy has ever seen. With the entire nation's eyes on him in a new Trial of the Century, Dunleavy orchestrates a series of revelations that lead to a stunning outcome-only to find afterward that the truth is wilder than anything he ever imagined.

Written with the unstoppable velocity and head-twisting surprises that only James Patterson can master, BEACH ROAD will leave readers reeling long after they have turned the last page.

Edgar Awards Best First Novel

"A remarkably assured debut novel. Rich and evocative, Lori Roy's voice is a welcome addition to American fiction." – Dennis Lehane

For twenty years, Celia Scott has watched her husband, Arthur, hide from the secrets surrounding his sister Eve's death. As a young man, Arthur fled his small Kansas hometown, moved to Detroit, married Celia, and never looked back. But when the 1967 riots frighten him even more than his past, he convinces Celia to pack up their family and return to the road he grew up on, Bent Road, and that same small town where Eve mysteriously died.

While Arthur and their oldest daughter slip easily into rural life, Celia and the two younger children struggle to fit in. Daniel, the only son, is counting on Kansas to make a man of him since Detroit damn sure didn't. Eve-ee, the youngest and small for her age, hopes that in Kansas she will finally grow. Celia grapples with loneliness and the brutality of life and death on a farm.

And then a local girl disappears, catapulting the family headlong into a dead man's curve…

On Bent Road, a battered red truck cruises ominously along the prairie; a lonely little girl dresses in her dead aunt's clothes; a boy hefts his father's rifle in search of a target; a mother realizes she no longer knows how to protect her children. It is a place where people learn: Sometimes killing is the kindest way.

A man is washed up on a deserted beach on the Hebridean Isle of Harris, barely alive and borderline hypothermic. He has no idea who he is or how he got there. The only clue to his identity is a map tracing a track called the Coffin Road. He does not know where it will lead him, but filled with dread, fear and uncertainty he knows he must follow it.

A detective crosses rough Atlantic seas to a remote rock twenty miles west of the Outer Hebrides of Scotland. With a sense of foreboding he steps ashore where three lighthouse keepers disappeared more than a century before — a mystery that remains unsolved. But now there is a new mystery — a man found bludgeoned to death on that same rock, and DS George Gunn must find out who did it and why.

A teenage girl lies in her Edinburgh bedroom, desperate to discover the truth about her father's death. Two years after the discovery of the pioneering scientist's suicide note, Karen Fleming still cannot accept that he would wilfully abandon her. And the more she discovers about the nature of his research, the more she suspects that others were behind his disappearance.

Coffin Road follows three perilous journeys towards one shocking truth — and the realisation that ignorance can kill us.

From the internationally acclaimed playwright and author of Art comes a first novel of extraordinary brilliance: the outpourings — at once eccentric, dark, and exceedingly funny — of an old man reflecting upon his life, marriages, friendships, love affairs, and the enragingly separate existence of his spoiled, and lost, only son.

He has had a full life, and now, in his later years, retired, his second wife getting on his nerves, love affairs a distant memory, he has a few things that he’d like to get off his chest.

As he talks — half to himself, half to the son he can’t understand — we’re introduced to Nancy, his too-happy wife; to their housekeeper, Mrs. Dacimiento, who still can’t put the bag properly over the rim of the garbage can; to his chum Lionel; to his daughter and her wannabe-truly-Jewish husband; and to the heartbreaking Marisa Botton, his idiotic, irresistible mistress. Finally, we witness his chance re-encounter with the charming Genevieve Abramowitz, who in telling him a story of her own leads him to his final overtures.

Yasmina Reza has written a symphonic monologue — a passionate kvetch, a truly original work.

The greatest solar event in history turned off the world’s power and destroyed much of its technology. The sun’s barrage continues today effectively bringing humanity back to a new Stone Age. This is a time of desolation, where every day is a desperate fight for survival. Food and water are disappearing, and many will kill to take these from you.

* * *

On a beach in Mexico, a small town in Wyoming, and a rural ranch in Illinois, epic battles between good and evil will be fought.

Meanwhile, a 150 year old secret may lead a lucky few to a place that holds the promise of a new future, unless the sun sets on humanity first.

From the Booker Prizewinning James Kelman, comes a road trip through the American South

'The truth is he didn't care how long he was going away. Forever would have suited him. It didn't matter it was America.'

Murdo, a teenager obsessed with music, wishes for a life beyond the constraints of his Scottish island home and dreams of becoming his own man. Tom, battered by loss, stumbles backwards towards the future, terrified of losing his dignity, his control, his son and the last of his family life. Both are in search of something new as they set out on an expedition into the American South. On the road we discover whether the hopes of youth can conquer the fears of age. Dirt Road is a major novel exploring the brevity of life, the agonising demands of love and the lure of the open road.

It is also a beautiful book about the power of music and all that it can offer. From the understated serenity of Kelman's prose emerges a devastating emotional power.

The Roadmakers left only ruins behind—but what magnificent ruins! Their concrete highways still cross the continent. Their cups, combs and jewelry are found in every Illyrian home. They left behind a legend, too—a hidden sanctuary called Haven, where even now the secrets of their civilization might still be found.

Chaka’s brother was one of those who sought to find Haven and never returned. But now Chaka has inherited a rare Roadmaker artifact—a book called A Connecticut Yankee in King Arthur’s Court—which has inspired her to follow in his footsteps. Gathering an unlikely band of companions around her, Chaka embarks upon a journey where she will encounter bloodthirsty river pirates, electronic ghosts who mourn their lost civilization and machines that skim over the ground and air. Ultimately, the group will learn the truth about their own mysterious past.

Amazon.com Review

Eternity Road is set 1,000 years from now, when the world as we know it has been dead for eight centuries, destroyed by a plague that killed most of humanity. Technological artifacts remain, but the knowledge of what they are and how to use them has been lost by a society that has degenerated into a series of city-states. Legend has it that the Roadmakers left a store of knowledge in a place called Haven, but when an expedition from Memphis sets out to find it, only one person returns. The lone, dishonored survivor eventually kills himself, but his son is determined to try again…

From Library Journal

After a cataclysmic viral plague wiped out humanity sometime in the 21st century, the next civilization arose in isolated pockets. In the Mississippi Valley, Illyrians built their town on what had been the Roadmakers’ Memphis. Some believed in the mythical Haven on the eastern ocean where books and other technological wonders had been saved. When all but one member of an expedition dies trying to find Haven, the leader's son joins a second party on the long overland trek east. Unfortunately, the book raises more questions than it answers about the knowledge that was lost, leaving the reader unsatisfied. From the author of Ancient Shores (HarperCollins, 1996); a possible candidate to sf collections.

A phone rings in a London flat. A little later an Admiralty physicist disappears from Gibraltar, and a body is found washed up against its shores…

Deep below Gibraltar’s Rock, a secret, auto-powered nuclear fuel-production unit throbs and hums as its builds up a store of AGL SIX, a dangerous new motivating-agent for the British atomic submarines to be based there.

This fuel unit has developed a fault. Allowed to overrun beyond a certain point, it will produce the biggest atomic blast since Hiroshima.

Only Ackroyd, the persecution-complexed inventor of the unit, can stop it. And Ackroyd has disappeared.

Commander Esmonde Shaw, R.N, of the Naval Intelligence Division wants to get out and settle down with a house in the suburbs.

Unfortunately for Naval Intelligence’s finest secret agent, these peaceful plans will have to wait.

Shaw establishes that the physicist has fallen into the hands of foreign agents operating from Spanish territory.

Shaw's job is to get Ackroyd back to Gibraltar before the Rock blows up — and before Ackroyd is smuggled out of Spain.

As Shaw wanders rounds the Spanish streets, he catches the heavy odour of a well-remembered perfume. Karina Czercov, the most dangerous, beautiful woman behind the Iron Curtain, is caught up in this intrigue.

Something in the air tells them that this encounter was going to be a fight to the finish.

Gibraltar Road is a high-octane thriller filled with espionage and intrigue.

Someone is trying to kill beautiful Rachel Treherne for her fortune. Enlisting the talents of Miss Silver seems the only way she can stay alive.

Perfect for fans of Robyn Carr and Debbie Macomber, New York Times bestselling author Emily March’s seventh book in the Eternity Springs series is a heartwarming story that celebrates the miracle and joy of love during the holidays.

 After tragedy strikes his team, college basketball coach Lucca Romano arrives in the haven of Eternity Springs to reassess his life. Even a winning record and big offers can’t dent the wall of guilt that Lucca has built around himself. Nothing can—except maybe a vibrant new neighbor who won’t give up on him.

Schoolteacher Hope Montgomery believes in miracles. She has to believe—because giving up would mean crumbling under the greatest loss a parent can endure. Hope understands Lucca’s suffering; she lives it herself every day. However, the high school team needs his coaching expertise, so she sets out to draw him from his cold, solitary shell and into the warmth of life in their small Rocky Mountain town. But when a weak moment leads to consequences that shake Hope’s faith, it’s up to Lucca to put aside his heartache and show the teacher that here in Eternity Springs broken hearts can heal—just in time for Christmas.

My Pink Road to Russia: Tales of Amazons, Peasants, and Queers presents an engaging mix of Sonja Franeta’s stories, memoir, poems, articles, and interviews. This radical lesbian from an immigrant Slavic family connects with her passion for Russia and finds out some touching as well as dangerous facts about queers in that mysterious country. The stories range from the seeds of a queer life planted in a high school girl on the verge of coming out, to reflections on the challenges of teaching, to an article about a Siberian lesbian the author interviewed who was later murdered. Franeta shares her enthusiasm for Russian poet Marina Tsvetaeva, chronicles the motivation and complexities of humanitarian trips to Kosovo and a township in South Africa, and mines her memory for unique and universal tales about her family from the former Yugoslavia.

About the Author

Sonja Franeta is a writer, educator and activist born in the Bronx, New York to an immigrant Yugoslav family. She received a Master’s degree in Russian from New York University and a Master’s in Comparative Literature from University of California at Berkeley. She is passionate about Russian language, culture, queers and literature.

The Golden Age of Adventure has a new champion!

Twice before, Dodge Dalton proved himself a worthy heir to the heroic Captain Falcon, but saving the world has been more costly than he could have imagined. The scars of that sacrifice have only just begun to heal when disaster strikes again. Dodge's friend Doc Newcombe has been kidnapped by a gang of terrorists who plan to use his scientific expertise to build a weapon capable of destroying entire cities.

To save his friend, Dodge will have to unravel a web of intrigue where no one can be trusted, face off against enemy spies trained in the ancient arts of stealth and assassination, and travel to the very gates of Hell.

Dodge Dalton has emerged from the Shadow of Falcon's Wings…

He survived the Outpost of Fate…

But is he ready for the dangers that await on the High Road to Oblivion?

Jack Kerouac's On the Road is one of the most controversial American novels of the 20th century. When critics concede that the book and its author were instrumental in triggering the rucksack revolution, this is to damn with praise, as Kerouac is reduced to a one-book author (though he published some twenty volumes containing a wide range of prose and poetry). Moreover, the spiteful acknowledgement of a sociohistorical fact imports an aesthetic grudge against a novel that a close reading reveals to be far more conventional than most of its adversaries would would care to realize. Nor does the book propagate the shameless adoration of libidinous licentiousness for which it has been castigated in conservative quarters.

Kerouac, too, never understood what his book meant to the hordes of youngsters taking to the highways after the fashion of the characters peopling the narrative; but then, he was ill-fitted to grasp what his book had kindled in generations of young readers who felt stifled by the limitations of their parental homes. He never realized that he had prefigured their longings.

Born, in 1922, in Lowell MA and baptized Jean-Louis Lebris de Kerouac, he learned English only as a second language. His parents, French Canadian immigrants, provided for a parochial, Catholic conservative, working-class background dominated by the mother who, in keeping with her heritage, felt more comfortable at speaking to her children in her French-Canadian dialect. The father, a printer, lost his job in the Great Depression and never recovered his standing. “Ti-Jean” (as Jack was pet-named by his mother) was a brooding, introverted child, a voracious, if indiscriminate reader. In high school, he was a minor sensation on the football field, the performanance at half-back, rather than academic excellence, earning him a scholarship to Columbia University after a preparatory year at Horace Mann, a private high school in New York City. College football, however, was more competitive than high-school games, and after breaking a leg in practice, he could not establish himself as a starter on the team. He also was in academic difficulties and had to make up for failing grades with extracurricular work during summer vacation. Kerouac left Columbia during his sophomore year, came back for a brief spell the following year, and after various odd jobs at gas stations and an honorable discharge from the Navy for an “indifferent character,” he joined the merchant marine in 1942.

Jack, who claimed he had completed his first novel at age eleven, had written for his high-school paper, contributed articles on local college sports to the Columbia Spectator, and, “… inspired by a new enthusiasm for the novels of Thomas Wolfe” (Ann Charters, Kerouac), began to keep extensive journals. Onboard the S.S. George Weems, “bound for Liverpool with 500-pound bombs in her hold, flying the red dynamite flag” (Charters), he wrote The Sea Is My Brother, which remained unpublished. After the war restless years followed, as Jack grew involved in the emerging underground scene of New York. (In part he was to record those experiences in On the Road.) During the winters he lived in his mother’s apartment in Ozone Park, L.I. (the father had died in the spring of 1946), from where he set out on frequent drinking bouts, often lasting for several days, to Times Square bars or to parties in Greenwich Village; the summers he spent roaming the country between New York, San Francisco, and Mexico City. Intermittently he worked on what was to become The Town And the City; accepted by Harcourt, Brace Co. in 1949, the book appeared the following year and received lukewarm critical appraisal: “More often than not, the depth and breadth of his vision triumph decisively over his technical weaknesses,” the New York Times Book Review noted in November 1950.

During the spring of 1951 Kerouac completed, in a three-week burst of writing, a typescript entitled variously “Beat Generation” and “On the Road,” different names for “… a scroll of paper three inches thick made up of one single-spaced, unbroken 120 feet long paragraph,…” as a friend recalls. In spite of several revisions and persistent efforts, Kerouac could not find a publisher for what he, according to Ann Charters, “… knew immediately… was the best writing he had ever done.” Editors were more interested in stories dealing with the scandalous lifestyle of these young, “Beat” bohemians than in their artistic work, until, in late 1955, Malcolm Cowley, senior adviser at Viking, accepted the book on the proviso that he and Kerouac go over the script together. When On the Road finally came out in 1957, the original typescript had been cut by one-third and amended to approximate the text to literary, orthographic, and printing conventions. “… Cowley riddled the original style of the manuscript there, without my power to complain,…,” Kerouac indicted later in an interview for The Paris Review. (The tangled genesis of the text prior to publication-some seven typescript versions are known to exist-may well prove futile all attempts at establishing a definitive edition.)

In the wake of the clamor raised over the publication of Allen Ginsberg's “Howl” (the poem is dedicated to Kerouac, among others),On the Road made the bestseller lists and, except for a short lag in the early sixties, has continued to sell at a steady pace in America and Western Europe. The commercial success of On the Road prompted Viking to bring out more of Kerouac’s writings. By 1958 he had completed several manuscripts (Visions of Cody, Doctor Sax, and The Subterraneans, to name but a few), all autobiographical, loose in form, and written in the new prose style which he had developed in the meanwhile and called “Spontaneous Prose”: long, unpremeditated sentences full of associations, put to paper in the way they came to his mind; highly personal, often idiosyncratic accounts which were at times inherently contradictory; as he phrased it himself, in the vaguely programmatic “Essentials of Spontaneous Prose”:

No pause to think of proper word but the infantile pileup of scatological buildup words till satisfaction is gained, which will turn out to be a great appending rhythm to a thought and be in accordance with Great Law of timing.

The editors insisted on something conventional and chose The Dharma Bums because it was close to On the Road in scope, contents, and method of presentation. The book was inspired by Kerouac’s friendship with the Californian poet Gary Snyder, who became the model for Japhy Ryder, the hero of The Dharma Bums. Snyder had introduced Kerouac to Buddhist texts, the influence of which is traceable in On the Road and, more conspicuously, in The Dharma Bums. But Kerouac 'a infatuation with Eastern mysticism and religions was only transitory. At heart he always remained a devout Catholic, in his own personal way. He writes in “The Origins of the Beat Generation,” an article for Playboy:

I am not ashamed to wear the crucifix of my Lord. It is because I am Beat, that is, I believe in beatitude and that God so loved the world that he gave his own begotten son to it… So you people don’t believe in God. So you're all big smart know-it-all Marxists and Freudians, hey? Why don’t you come back in a million years and tell me all about it, angels?

Kerouac had always been an introverted, brooding, melancholic loner who preferred watching from the side over actively participating in his friends' hullabaloos; during the Sixties, his health deteriorating from continuous abuse of alcohol and benzedrine, he became utterly estranged from the world and retreated to his mother's home. He felt his work was misunderstood by the reading public, for whom he had become, due to his semi-fictitious heroes Dean Moriarty and Japhy Ryder, a cult figure and a pioneer of the newly emerging liberal movement. His political attitude was diametrically opposed to that of the majority of his readers as well as to that of his former close friend Allen Ginsberg. Kerouac spoke out in favor of the American engagement in Vietnam; in the interview for The Paris Review he explained:

I’m pro-American and the radical political involvements seem to tend elsewhere… The country gave my Canadian family a good break, more or less, and we see no reason to demean said country.

Shadows of fatalism and a profound pessimism permeate his later writing, for instance, The Vanity of Duluoz. Resignation, that all is “vanity,” rings through the last attempt at reshaping the legend he had begun with The Town And the City. Conspicuously, the two books cover roughly the same period of time, from the last years in Lowell to the father's death in New York City; while not exactly cheerful, the tone of The Town And the City, characterized by a longing to restore the happy days of childhood, had to give way to a deep sense of irrevocable loss. He wrote in the preface of Visions of Cody: “My work comprises one vast book like Proust's Remembrance of Things Past, except my remembrances are written on the run instead of afterwards in a sickbed.” The comparison, half-correct at best, sheds a distinct light on the author’s ambitions and misperceptions.

Jack Kerouac died on October 21, 1969, “of hemorrhaging esophageal varices, the classic drunkard’s death,” according to Gerald Nicosia, the author of Memory Babe, a near-definitive critical biography.

Andrzej Stasiuk is a restless and indefatigable traveler. His journeys take him from his native Poland to Slovakia, Hungary, Romania, Slovenia, Albania, Moldova, and Ukraine. By car, train, bus, ferry. To small towns and villages with unfamiliar-sounding yet strangely evocative names. “The heart of my Europe,” Stasiuk tells us, “beats in Sokolow, Podlaski, and in Husi, not in Vienna.”

Where did Moldova end and Transylvania begin, he wonders as he is being driven at breakneck speed in an ancient Audi — loose wires hanging from the dashboard — by a driver in shorts and bare feet, a cross swinging on his chest. In Comrat, a funeral procession moves slowly down the main street, the open coffin on a pickup truck, an old woman dressed in black brushing away the flies above the face of the deceased. On to Soroca, a baroque-Byzantine-Tatar-Turkish encampment, to meet Gypsies. And all the way to Babadag, between the Baltic Coast and the Black Sea, where Stasiuk sees his first minaret, “simple and severe, a pencil pointed at the sky.”

A brilliant tour of Europe’s dark underside — travel writing at its very best.

A thought-provoking new short story from the acclaimed author of Zero Day and Trojan Horse.

Challenging Anonymous is like waving a red flag in front of a bull. But the CEO of a major investment firm has done just that, and now cyber security expert Jeff Aiken has to try to protect the company from its leader's mistakes. The timing couldn't be worse, as Jeff is scheduled to appear at a conference that has invited an Anonymous representative as well. And Jeff's about to discover that the hacker outfit plans to bring their fight offline — and into the real world.

Published in Asimov’s Science Fiction June 2015

The title of her latest story was adapted from the name of a shrine on I-95. “Our Lady of the Highways,” she tells us, “has probably inspired a song from every musician who has ever passed it.” The tale is, in part, a love letter to her touring van.

It’s easy to speculate wistfully on what the world might be if just one little thing had gone differently—but much harder to change just one little thing!

Dave Robicheaux has spent his life confronting the age-old adage that the sins of the father pass onto the son. But what has his mother's legacy left him? Dead to him since youth, Mae Guillory has been shuttered away in the deep recesses of Dave's mind. He's lived with the fact that he would never really know what happened to the woman who left him to the devices of his whiskey-driven father. But deep down, he still feels the loss of his mother and knows the infinite series of disappointments in her life could not have come to a good end. While helping out an old friend, Dave is stunned when a pimp looks at him sideways and asks him if he is Mae Guillory's boy, the whore a bunch of cops murdered 30 years ago.

Elizabeth Black is a hero. She is a cop who single-handedly rescued a young girl from a locked cellar and shot two brutal kidnappers dead. But she's also a cop with a history, a woman with a secret. And she's not the only one.

Adrian Wall is finally free after thirteen years of torture and abuse. In the very first room he walks into, a boy with a gun is waiting to avenge the death of his mother. But that is the least of Adrian's problems.

He was safer in prison.

And deep in the forest, on the altar of an abandoned church, a body cools in pale linen. It is not the first to be found.

This is a town on the brink.

This is Redemption Road.

Brimming with tension, secrets, and betrayal, brilliantly evoking an America of small towns and remote landscapes, of the abandoned, the derelict and the desperate, this is a novel so chillingly suspenseful and a story so full of twists and turns that you simply cannot stop reading. It marks a new high point in the writing of this bestselling master of the literary thriller.

To her, to her dying breath, you were the untouchable one, the one whose flesh her dagger could not penetrate.

THE ASSASSIN

A cold and emotionless killer for whom every soul has a price, even his own, embarks on a path to find out just how high that price can be.

THE MERCENARY

A dark elf of limitless guile dares to challenge a king, and carve for himself a place in the inhospitable World Above.

ILNEZHARA and TAZMIKELLA are ancient dragons of great power, accustomed to easily manipulating the humans around them. But not all humans are so easily led. When they pushed Entreri and Jarlaxle into the heart of the Bloodstone Lands, not even they could have imagined the strength of the human assassin's resolve, or the limitless expanse of the drow mercenary's ambition.

Annalice Mallory, the sheltered daughter of a family of map makers, discovers the cryptic diary of her long-dead ancestor that includes a map of a mysterious far-of island. Philip, Annalice's brother, sets sail for the island, lured by the promise of incomparable riches to be found. But when he doesn't return, Annalice sets out to find him - and the secrets of the diary - in a desperate journey that leads her through the worlds' most exciting outposts... and finally to the tropical islands of the South Seas, where she encounters heart-stopping peril, but also the promise of love.

There are some things that simply can’t be stolen. You can’t, for instance, steal the satisfaction of creating a fine thing; you can steal only the thing. And if it’s an Idea—or a mind…

An exceptional father-son story about the reality that tests us, the myths that sustain us, and the love that saves us. Paul Coates was an enigmatic god to his sons: a Vietnam vet who rolled with the Black Panthers, an old-school disciplinarian and new-age believer in free love, an autodidact who launched a publishing company in his basement dedicated to telling the true history of African civilization. Most of all, he was a wily tactician whose mission was to carry his sons across the shoals of inner-city adolescence and through the collapsing civilization of Baltimore in the Age of Crack, and into the safe arms of Howard University, where he worked so his children could attend for free. Among his brood of seven, his main challenges were Ta-Nehisi, spacey and sensitive and almost comically miscalibrated for his environment, and Big Bill, charismatic and all-too-ready for the challenges of the streets. The Beautiful Struggle follows their divergent paths through this turbulent period, and their fathers steadfast efforts assisted by mothers, teachers, and a body of myths, histories, and rituals conjured from the past to meet the needs of a troubled present to keep them whole in a world that seemed bent on their destruction. With a remarkable ability to reimagine both the lost world of his fathers generation and the terrors and wonders of his own youth, Coates offers readers a small and beautiful epic about boys trying to become men in black America and beyond.

Since the beginning of time, the angelic hosts of the High Heavens and the demonic hordes of the Burning Hells have been locked in a struggle for the fate of all Creation. That struggle has now come to the mortal realm…and neither Man nor Demon nor Angel will be left unscathed…. Darrick Lang is coming home. Years ago he left the town of Bramwell to walk the wide world as a soldier of fortune and champion of the realm. But Bramwell is not as he left it. Something dark and terrifying has ensnared the townsfolk, something very old and very patient, tangling innocents in a web of malice and profaning the very earth itself. Now that same power calls to Darrick?

Never before in English, Regina Ullmann's work is distinctive and otherworldly, resonant of nineteenth-century village tales and of authors such as Adalbert Stifter and her contemporary Robert Walser. In the stories of The Country Road, largely set in the Swiss countryside, the archaic and the modern collide, and "sometimes the whole world appears to be painted on porcelain, right down to the dangerous cracks." this delicate but fragile beauty, with its ominous undertones, gives Ullmann her unique voice.

A new novel from the author of CANAL DREAMS and THE WASP FACTORY, which explores the subjects of God, sex, death, Scotland, and motor cars.

Concluding "The Fionavar Tapestry", this book carries the heroes from our world to the final battle for Fionavar against the evil of Rakoth Maugrim. On a ghost-ship the legendary warrior, Arthur Pendragon, and Pwyll Twiceborn, Lord of the Summer Tree, sail to confront the Unraveller.

Winner of the 1991 Booker Prize, this phantasmagorical novel is set in the ghetto of an African city during British colonial rule, and follows the story of Azaro-a "spirit-child" who has reneged on a pact with the spirit world-and the travails of his impoverished, beleaguered family.

Winner of the Booker Prize, The Ghost Road is the brilliant conclusion to Pat Barker's World War I fiction trilogy, which began with the acclaimed and prize-winning novels Regeneration and The Eye in the Door.

In the closing months of World War I, psychologist William Rivers treats the mental casualties of the war, making them whole enough to return to battle. As Dr. Rivers treats his patients, he begins to see the parallels between the culture of death in the tribes of the South Seas, where he served as a young missionary doctor, and in Europe in the grips of World War I. At the same time, Billy Prior, one of Dr. Rivers's patients, returns to France, where millions of men engaged in brutal trench warfare are all "ghosts in the making," to fight a war he no longer believes in.

Combining poetic intensity with gritty realism, Pat Barker both escapsulates history and transcends it in this modern masterpiece.

When Sara Stanley, the Story Girl, returns to Carlisle to spend the winter with the King family, she comes up with a great idea.

The End was just the beginning of the new world…

Only six weeks have passed since a super-EMP attack devastated the United States, but already, life has changed dramatically. Most of America has become a wasteland filled with starving bands of people, mobs and gangs. Millions are dead and millions more are suffering, with no end in sight.

For Gordon, Samantha, Sebastian, Cruz and Barone, the turmoil and chaos they dealt with in the early weeks after the attack will seem trivial in comparison to the collapse of society that plays out before their eyes. Uncertainty abounds as they all travel different paths in search of a safe place to call home. The only thing that is definite is that The Long Road will take its toll on all of them.

The world has just found out that it’s going to end, with a huge unstoppable asteroid hurtling towards the planet. Claire is in Toronto with her two young sons. Her husband, Tom, is on the other side of the country and must find his way home in an increasingly chaotic landscape.

This is a parallel novella to The Last Day on Earth that follows Lucy’s sister and brother-in-law.

A short novel of 50,000, or approx. 220 pages.

Available in e-book and paperback.

If there is any universal trigger of nostalgia in the United States, it is the Golden Years of the 1950s. Glamorized to this day, the innocence of youth, the music on the radio, and of course, the tons of steel molded into cars are some of the most common visuals associated with the period. DeSotos, Hudsons, Chryslers, Lincolns, and all other manner of road behemoths piloted the burgeoning highways of America, guzzling gas and fueling the joy the driving every mile of the way. Simply a beautifully written novella, Jack Cady’s 1993 The Night We Buried Road Dog reflects back upon the era to evoke a similar nostalgia, and in the process touches upon aspects more intrinsic to the motion and direction of the human spirit.

The Night We Buried Road Dog is the story of Jed and his life in small town Montana circa 1961. He and his friend Jesse both car junkies, the hammer of pistons on the open road is their religion. So in love with automobiles, when Jesse’s decrepit Hudson gets too old, they bury it in his front yard, complete with a tombstone and epitaph. But Jesse does not spend long without a car, a giant Lincoln is soon burning rubber beneath his feet. The highways of the night forever calling their name, mile after mile is racked up by the pair. But everywhere they go, they see markers and signs left by the mysterious Road Dog—a man some think is real, and others just a legend of heartland USA’s open highways. One night driving home, an even more mysterious thing happens: a ghost car flashes past, and in its wake the mystery of the Road Dog deepens.

A poignant piece of nostalgia as much as it is hardwired into the subconscious of being human, The Night We Buried Road Dog is a gorgeous novella. The prose not lush and flowing as one might imagine given the adjective, rather it effortlessly outlays a reflective yearning difficult to capture with words.

A searing, postapocalyptic novel destined to become Cormac McCarthy's masterpiece.

A father and his son walk alone through burned America. Nothing moves in the ravaged landscape save the ash on the wind. It is cold enough to crack stones, and when the snow falls it is gray. They sky is dark. Their destination is the coast, although they don't know what, if anything, awaits them there. They have nothing; just a pistol to defend themselves against the lawless bands that stalk the road, the clothes they are wearing, a cart of scavenged food – and each other.

The Road is the profoundly moving story of a journey. It boldly imagines a future in which no hope remains, but in which the father and his son, "each the other's world entire," are sustained by love. Awesome in the totality of its vision, it is an unflinching meditation on the worst and the best that we are capable of: ultimate destructiveness, desperate tenacity, and the tenderness that keeps two people alive in the face of total devastation.

The prose is quintessentially McCarthy: spare, desolate, unemotional, reserved of both unnecessary vocabulary and punctuation (he recognized the necessary evil of periods denoting the end of a sentence. Some contractions are so designated with an apostrophe, some not. Exclamation points are avoided with the same vigilance as would be shown to beanies with propellers). Although most English teachers I've been a captive audience to would consider him Satan incarnate, he still can turn a phrase of almost unbearable beauty.

Painstakingly honest, this chilling memoir reveals how a teenager became immersed in the bizarre life of legendary porn star John Holmes. Starting with a childhood that molded her perfectly to fall for the seduction of “the king of porn,” this autobiography recounts the perilous road that Dawn Schiller traveled—from drugs and addiction to beatings, arrests, forced prostitution, and being sold to the drug underworld. After living through the horrific Wonderland murders of 1981, she entered protective custody, ran from the FBI, and turned in John Holmes to the police. This is the true story of a young girl’s harrowing escape from one of the most infamous public figures, her struggle to survive, and her recovery from unthinkable abuse.

In the midst of an ongoing interplanetary war between human-colonized worlds and the hostile alien species known as the Deng, one planet chooses to rebel against the sentient BOLO war machines that serve as the primary line of defense against the Deng. Ringo and Evans contribute another tale of military sf to the series of novels featuring the BOLOs originated by sf author Keith Laumer. Despite the general hawkish politics lacing the plot’s subtext, the authors provide a wealth of military action along with a cast of well-developed characters, including a sympathetic BOLO named Sonny. A good choice for series fans and readers of military SF.

Dorothy and her friends follow the enchanted road to Oz and arrive in time for Ozma's birthday party.

John Dortmunder as a butler? Well, he’s not really a butler; he’s just playing one at the heavily guarded estate of crooked tycoon Monroe Hall. A corporate pariah surrounded by loot, including a fleet of priceless vintage cars, Hall soon finds his needs—from driving to cooking—eagerly fulfilled by Dortmunder and his gang. Dortmunder’s plan: to change in one fell swoop from loyal servants to merry robbers, and drive off with ill-gotten plunder. There’s just one problem. Monroe Hall has as many enemies as antiques. Before Dortmunder can go from serving to stealing, Hall disappears and the cops are knocking on the door. And after a violent crime is committed, Dortmunder is in the worst place possible. For as everyone knows, whenever there’s mischief in a mansion … the butler always did it!

Перед вами – иной Оруэлл. Не писатель, но – философ, литературный критик и журналист (строго говоря, создатель жанра «новой журналистики»). Человек, творящий подлинно высокую публицистику – и обращающий ее в истинное искусство слова!

Эссе Оруэлла всегда умные, изысканно-злые и в чем-то парадоксальные.

Сейчас, как и в прошлом, многим они кажутся спорными и «скандальными». Почему? Да потому, что Джордж Оруэлл всегда современен!

When the delightful, daffy Dog Lady of station WZZZ offered to take on the temporary job of traffic reporter, Steve Crow tried to think of reasons to turn Daisy Adams down. Perhaps he knew that sharing the close quarters of a car with her for hours would give the handsome program director no room to resist her quirky charms. He'd always favored low-slung sports cars and high-heeled women, but that was before he fell for a free spirit who caught crooks by accident, loved old people and pets, and had just too many jobs!

Loving Daisy turned Steve's life upside down, especially once he adopted Bob, a couch potato masquerading as a huge dog. But was Daisy finally ready to play for keeps?

Centuries after its catastrophic Deliverance, humanity is again reaching into space. And one young scholar working in the space-ship yard, Clovis colha Gree, could make the difference between success and failure.

“A book to be plundered and raided.” — New York Times Book Review

“A portal into a world of timeless travel literature curated by one of the greatest travel writers of our day.” — USA Today

Paul Theroux celebrates fifty years of wandering the globe in this collection of the best writing from the books that have shaped him as a reader and a traveler. Part philosophical guide, part miscellany, part reminiscence, The Tao of Travel contains excerpts from the best of Theroux’s own work interspersed with selections from travelers both familiar and unexpected:

Vladimir Nabokov Eudora Welty

Evelyn Waugh James Baldwin

Charles Dickens Pico Iyer

Henry David Thoreau Anton Chekhov

Mark Twain John McPhee

Freya Stark Ernest Hemingway

Graham Greene and many others

“Dazzling. . Like someone panning for gold, Theroux reread hundreds of travel classics and modern works, shaking out the nuggets.” — San Francisco Chronicle

In South Carolina, a young black man faces the death penalty for the rape and murder of Marianne Larousse, daughter of one of the wealthiest men in the state. It's a case that nobody wants to touch, a case with its roots in old evil, and old evil is private detective Charlie Parker's speciality. But Parker is about to make a descent into the abyss, a confrontation with dark forces that threaten all that Parker holds dear: his lover, his unborn child, even his soul… For in a prison cell, a fanatical preacher is about to take his revenge on Charlie Parker, its instruments the very men that Parker is hunting, and a strange, hunched creature that keeps its own secrets buried by a riverbank: the undiscovered killer Cyrus Nairn. Soon, all of these figures will face a final reckoning in southern swamps and northern forests, in distant locations linked by a single thread, a place where the paths of the living and the dead converge. A place known only as the White Road.

Dissolute nobles, master spies, and the unlikeliest of heroes, Alec and Seregil have survived exile, treachery, and black magic. But the road that lies ahead is the most hazardous they've ever traveled. For with enemies on all sides, they must walk a narrow path between good and evil where one misstep might be their last.

Having escaped death and slavery in Plenimar, Alec and Seregil want nothing more than to go back to their nightrunning life in Rhíminee. Instead they find themselves saddled with Sebrahn, a strange, alchemically created creature - the prophesied 'child of no woman.' Its moon-white skin and frightening powers make Sebrahn a danger to all whom Alec and Seregil come into contact with, leaving them no choice but to learn more about Sebrahn's true nature.

With the help of trusted friends and Seregil's clan, the duo set out to discover the truth about this living homunculus - a journey that can lead only to danger or death. For Seregil's old nemesis Ulan í Sathil of Virèsse and Alec's own long-lost kin are after them, intent on possessing both Alec and Sebrahn. On the run and hunted, Alec and his comrades must fight against time to accomplish their most personal mission ever.

Dagger Awards Best Book

Wade disappeared on us when I was six, and I never saw him again until I turned twelve, after Mom was buried. She always said he was a loser, even if he was our dad, but it turns out he was much more than that. He was also a thief. Like he was on the day he stole me and my little sister.

В сборник включены психологический детектив Эллен Макклой, классический «гангстерский» детектив Дональда Уэстлейка, а также повесть Джона Д. Макдональда, в центре внимания которой — судьба девушки, попавшей в преступную шайку.

Формально «Чужая» – это сценарий, но читается как захватывающий роман.

1990-е. Бандитский Киев. Бригада из четырех бойцов получает задание доставить из Праги девушку по кличке «Чужая». Она – родная сестра арестованного Бабая, чьи показания могут навредить важным людям.

Автор, скрывающийся под псевдонимом Адольфыч, знает описываемый мир не понаслышке. Великолепный criminal road action раз и навсегда закрывает тему бандитского эпоса.

«Очень сильно.»Бумер" без «бумера» и приторных соплей. В героиню, «редкой масти тварь, мутную, голимую устрицу», влюбляешься остро и безнадежно, как в эльфийку – орк".

Борис Кузьминский

«Я убежден, что если бы Вайнону Райдер не застукали в Америке, то рано или поздно мы бы взяли ее с поличным при попытке украсть этот сценарий в русском книжном магазине. Вот в какой финальной серии Alien она должна была сыграть: в той, где оказывается, что космос, кишащий тварями с кислотой вместо крови, тварями, которые откладывают яйца прямо в людей – не где-то там, снаружи, а здесь, у нас».

Лев Данилкин